SEARCH RESULTS
223 items found for ""
- Feathers/horn/hair/nails
Composition Conservation Historical Use Case Studies Feathers/horn/hair/nails Feathers, horn, hair, nails, scales, and hooves, all found in vertebrates, are made from a family of structural proteins called keratins. Previous Next Back to Materials Coming Soon We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested in building the ABM website.
- ABM EVENTS | Art Bio Matters
COMMUNITY Projects Publications Member Events Members MEMBER EVENTS Member events are specially organized by Art Bio Matters member and volunteers. They are intended to strengthen connections between members and help them find new colleagues to discuss research questions and concerns. Depending on the format, members will present current research projects, share open questions, and lead exchanges of information where the main goal is to improve the ways in which we understand biological materials in material heritage culture. The following are members-only events. Registration links will be sent directly to ABM members through Slack and Email. SEMINAR SERIES Join us for monthly informal presentations on topics in biological material studies integrating science with conservation, history, culture, and/or other human sciences. Seminars take place every third Thursday and feature a 20-minute presentation by the speaker(s), followed by lively discussion with ABM community members. This platform allows you to share your area of interest, ongoing project, or seek collaboration outside your field. Submissions are reviewed continuously. Can't attend live? Recordings are available for one month to ABM members. Traditional Fish Leather Dyeing Methods with Indigenous Arctic Plants To play, press and hold the enter key. To stop, release the enter key. Elisa Palomino, Research Associate at the Smithsonian Arctic Studies Center Arctic seamstresses, skilled in biochemistry and climatology have long used fish skin for clothing, often decorated with a rich colour palette of natural dyes provided by nature, processed from minerals and plant-based dyes gathered from riverbanks. This presentation examines how an international team tested traditional dyeing techniques on fish skin using flora from Sweden, Iceland, and Japan based on historical literature and verbal advice from local experts. The research supports eco-friendly, plant-based dyeing alternatives to chemical processes, promoting traditional craftsmanship. The project integrates historical practices with contemporary fashion, fostering innovation and sustainability in fish leather production and material design. Thursday, September 26, 2024 11:00 am ET Learn more ROUND TABLE Q&A round tables offer a unique opportunity to tap into the expertise within our diverse community. A small group of ABM members will each share current or on-going questions related to the biological materials of an object(s) in a brief (5-minute) description or presentation. This is followed by dynamic discussions with attendees, fostering knowledge exchange, brain storming, and opportunities for collaboration. ABM March 2024 Round Table To play, press and hold the enter key. To stop, release the enter key. Thainá Vígio Pamela Hatchfield Michael Galardi Thainá Vígio is seeking other fungicide methods other than freezing and anoxia treatment for 19th c. silk textiles. Pamela Hatchfield will discuss an outdoor Chinese sandstone sculpture compromised by a myriad of microbiological growth, and how to evaluate the risk of further damage from these species. Micheal Galardi (on behalf of Celeste Mahoney) will discuss light spots uncovered on a Huastec sandstone relief and wonders about the possibility of biological growth as a factor. Thursday, March 21, 2024 11:00 am ET ABM MEMBER CONVERSATIONS These informal conversations will explore the cross-disciplinary collaboration and research opportunities that define ABM. They aim to enhance our understanding of the diverse roles held by ABM members, spur collaborations, try out ideas, and explore new areas of study. Each conversation features two members, each from a different specialty (e.g., a curator and a scientist), who have not collaborated but have overlapping but not identical research interests. They will engage in a conversation based on three questions for each other, followed by audience discussion and questions. ABM Member Conversations - October 2024 To play, press and hold the enter key. To stop, release the enter key. Ilaria Serafini & Juliet Graver Istrabadi Investigating ancient textiles - Where do you even start? Join us for a conversation between a curator and a scientist on the analysis of ancient textiles. Thursday, October 24, 2024 11:00 am ET OTHER WAYS TO PARTICIPATE ABM members get to participate in a variety of ways. Don't miss your chance to network! Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Communicate through the ABM Slack workspace Connect with colleagues, discuss research questions, and network in the ABM Slack community. Visit our Join the Community tab for more information. Join the Community Participate in an ABM meeting ABM has biennial conferences sharing ongoing research through a dynamic forum of exchange. Visit the ABM Meetings tab for more information. ABM Meetings Build the ABM website We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested to do any of the following: Share a project Provide a link to your publications, projects, or Opportunities to share with potential partners. Educate and reach out Provide a link to a case study or video that applies to our Materials, Instrumentation, Ethics, and Sampling pages. Anchor 1 Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Access ABM 2018, 2021, and 2023 conference recordings and background materials. Join us and become a part of the ABM c ommunity
- ABOUT | Art Bio Matters
ABOUT ABM Get in Touch Join the Community WHO WE ARE Art Bio Matters (ABM) is a dynamic and expanding gathering of curators, cultural historians, conservators, and scientists dedicated to exploring diverse research methodologies, perspectives, and objectives in the study of biological materials within cultural heritage collections. Here, your unique viewpoint is highly valued, whether you aim to enhance preservation, deepen analysis, or enrich interpretation. While rooted in the core disciplines of science, curatorial practice, and conservation, ABM enthusiastically embraces all participants interested in the exploration of cultural heritage studies. WHAT WE DO Art Bio Matters takes proactive steps to foster and empower a vibrant community of curators, cultural historians, conservators, and scientists through various platforms including a dedicated website, Slack workspace, and biannual gatherings. At artbiomatters.org, you can freely access educational resources, discover exciting opportunities, delve into descriptions of advanced scientific methodologies such as DNA analysis, mass spectrometry, and antibody-based techniques, explore historical and conservation materials, ponder open-ended research inquiries, and engage with emerging ethical considerations, among other offerings. We extend a warm invitation for you to join us, embark on a journey of exploration and learning, and share your invaluable expertise. As our website continues to evolve, we eagerly welcome suggestions and contributions to ensure that we effectively cater to the needs of our growing community. WHAT WE BELIEVE We believe that the identification and understanding of biological materials within collections is best achieved through active education and collaboration. In pursuit of this vision, Art Bio Matters (ABM) is guided by foundational principles that underpin our mission: Embrace the inclusive participation of specialists across all three disciplines—curatorship/cultural history, conservation, and science 1 2 3 4 Conduct candid evaluations of past projects, considering both logistical and aspirational aspects, to effectively prioritize crucial areas of study and optimize resource allocation. Cultivate curiosity, respect, and recognition for the invaluable contributions of each discipline to the field of cultural heritage studies. Foster an open environment in which the value of data from scientific analysis for non-scientific audiences is both debated and shared. By joining ABM, you gain access to our vibrant Slack workspace—a hub where you can connect with fellow members, engage in discussions on diverse topics, share noteworthy research findings, explore job opportunities, and stay informed about upcoming events. Additionally, you will receive exclusive invitations to our esteemed speaker series and updates regarding our highly anticipated biannual conferences. HISTORY OF ART BIO MATTERS Thanks to funding provided by the Richard Lounsbery Foundation, ABM organized the first meeting of its kind to purposefully bring together a balanced group of science, conservation, and curatorial/cultural history representatives for open discussion and debate about the contributions of advanced DNA, proteomic, and antibody‐based techniques to the study of biological materials found in cultural heritage collections. This innovative, by-invitation-only meeting, which brought together 40 international specialists was co-hosted by the Metropolitan Museum of Art and New York University. The ABM 2018 meeting was inaugurated by a public plenary session, Biological Material Matters in Works of Art, presented by Dr. Barbara Berrie , Head of Scientific Research, National Gallery of Art, Washington. Eight speakers were selected by a nine-person ABM 2018 Steering Committee to address pre-determined topics, including instrumentation, sampling techniques, and relevance to the information desired by conservators, historians, and curators. ABM 2018 resulted in the emergence of a cohesive and enthusiastic community, as well as the original artbiomatters.org website. It also accentuated the essential role of collaborative deliberations to maximize efforts to study, interpret, present, and preserve material cultural heritage. Advancements since 2018 have only reinforced the need for communication and continued discourse among all stakeholders. Engaging Dialogue Connection + Partnership Community Driven Why join the Art Bio Matters community? Members of the ABM community enjoy many benefits, regardless of their area of interest. Our website and Slack workspace have something for everyone: Access ABM 2018, 2021, and 2023 conference recordings and background materials. Anchor 1 Communicate through the ABM Slack workspace Connect with colleagues, discuss research questions, and network in the ABM Slack community. Visit our Join the Community tab for more information. Join the Community Participate in an ABM meeting ABM has biannual conferences sharing ongoing research through a dynamic forum of exchange. Visit the ABM Meetings tab for more information. ABM Meetings Build the ABM website We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested to do any of the following: Share a project Give a talk Provide a link to your publications, projects, or Opportunities to share with potential partners. Present an update on current projects through ABM's webinar lecture series. Educate and reach out Provide a link to a case study or video that applies to our Materials, Instrumentation, Ethics, and Sampling pages. Join and Help Build Art Bio Matters!
- Plant Fibers
Composition Conservation Historical Use Case Studies Plant Fibers Plant fibers such as linen and cotton are made of cellulose, a natural polysaccharide, specifically a polymer of the sugar molecule glucose, produced by plants. Previous Next Back to Materials Coming Soon We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested in building the ABM website.
- Surface History (Biome)
Composition Conservation Historical Use Case Studies Surface History (Biome) Over time, dust, pollen, yeast, bacteria, etc. continue to be deposited and accumulate on the surface of objects providing a history of an objects lifetime since creation. Previous Next Back to Materials Coming Soon We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested in building the ABM website.
- Paper
Composition Conservation Historical Use Case Studies Paper Cellulose fibers, most commonly from wood or plants, are processed to produce the thin sheets of material known as paper. Processing can involve both mechanical or chemical modification of the raw material to create a pulp, followed by pressing, and drying. Previous Next Back to Materials Coming Soon We need you to develop new content for the ABM website. Please email info@artbiomatters.org or message in Slack if you are interested in building the ABM website.
- JOURNALS + PUBLICATIONS
RESOURCES Glossaries + Databases Glossaries + Databases Reference Materials Reference Materials Scientific Resources Scientific Resources Videos + Lectures Videos + Lectures Journals + Publications Journals + Publications Coming Soon Explore academic publications from adjoining fields of study. JOURNALS + PUBLICATIONS American Journal of Material Science Explore Videos + Lectures Heritage Science Explore Videos + Lectures History of the Human Sciences Explore Videos + Lectures International Journal of Advanced and Multidisciplinary Social Science Explore Videos + Lectures International Journal of the Arts Explore Videos + Lectures Journal of Interdisciplinary History Explore Videos + Lectures Journal of the American Institute for Conservation Explore Videos + Lectures Proceedings of the National Academy of Sciences Explore Videos + Lectures
- GLOSSARIES + DATABASES
RESOURCES Glossaries + Databases Glossaries + Databases Reference Materials Reference Materials Scientific Resources Scientific Resources Videos + Lectures Videos + Lectures Journals + Publications Journals + Publications Coming Soon Explore glossaries and literature databases related to art, cultural history, scientific analysis, and art conservation. GLOSSARIES + DATABASES AATA Art and Archaeology Technical Abstracts (AATA): research database containing abstracts of literature related to the preservation and conservation of material cultural heritage. Explore Videos + Lectures ABM 2018 Glossary Art Bio Matters (ABM) 2018 Glossary: a short glossary of scientific analysis terms from the 2018 ABM conference. Explore Videos + Lectures AIC Wiki American Institute for Conservation (AIC) Wiki: compendia of working knowledge on materials and techniques used to preserve and treat works of art and historic artifacts, preventive care, research and analysis, work practices, and education. Explore Videos + Lectures AICCM Visual Glossary Australian Institute for the Conservation of Cultural Material (AICCM) Visual Glossary: identify damage and deterioration by comparing it to glossary image and description. Explore Videos + Lectures BCIN Bibliographic Database of the Conservation Information Network (BCIN): bibliographic resource for the conservation, preservation and restoration of cultural property. Explore Videos + Lectures BHA/RILA Bibliography of the History of Art (BHA) / Répertoire international de la littérature de l'art (RILA): European and American visual arts material including articles from over 1,200 journals. Explore Videos + Lectures CAMEO Conservation and Art Materials Encyclopedia Online (CAMEO): a database that compiles, defines, and disseminates technical information on the distinct collection of terms, materials, and techniques used in the fields of art conservation and historic preservation. Explore Videos + Lectures CCI Notes Canadian Conservation Institute (CCI) Notes: practical advice about issues and questions related to the care, handling and storage of cultural objects. Explore Videos + Lectures Genbank GenBank ® is the NIH genetic sequence database, an annotated collection of all publicly available DNA sequences (Nucleic Acids Research, 2013 Jan;41(D1):D36-42). GenBank is part of the International Nucleotide Sequence Database Collaboration, which comprises the DNA DataBank of Japan (DDBJ), the European Nucleotide Archive (ENA), and GenBank at NCBI. These three organizations exchange data on a daily basis. This database is paywalled, so we recommend collaboration with colleagues to access it. Explore Videos + Lectures Getty Research Portal Getty Research Portal: multilingual and multicultural art historical text catalog of complete digital copies of publications devoted to art, architecture, material culture, and related fields. Explore Videos + Lectures Getty Vocabularies Getty Vocabularies: structured terminology for art, architecture, decorative arts, archival materials, visual surrogates, art conservation, and bibliographic materials. Explore Videos + Lectures Heilbrunn Timeline of Art History Heilbrunn Timeline of Art History: the story of art and global culture through The Met collection. Explore Videos + Lectures MoMA Learning Glossary of Art Terms MoMA Learning Glossary of Art Terms: glossary explaining techniques, mediums, art movements, and other terms in the MoMA collection. Explore Videos + Lectures NGA Glossary of Instrumental Methods National Gallery of Art (NGA) Glossary of Instrumental Methods: glossary of chromatography, spectroscopy, and microscopy analytical techniques. Explore Videos + Lectures Painting Conservation Glossary Of Terms Smithsonian: Museum Conservation Institute Painting Conservation Glossary of Terms Explore Videos + Lectures Tropicos The Tropicos botanical data database links over 1.38M scientific names with over 6.96M specimens and over 1.78M digital images. The data include over 167K references from over 55.3K publications offered as a free service to the world’s scientific community. Explore Videos + Lectures
- SCIENTIFIC RESOURCES
RESOURCES Glossaries + Databases Glossaries + Databases Reference Materials Reference Materials Scientific Resources Scientific Resources Videos + Lectures Videos + Lectures Journals + Publications Journals + Publications Coming Soon Explore institutions that have the ability to carry out analysis of cultural heritage materials. This list is not exhaustive, but it is intended as a reference for current organizations with scientific instrumentation. SCIENTIFIC RESOURCES American Museum of Natural History (AMNH) Explore Videos + Lectures Canadian Conservation Institute Explore Videos + Lectures Getty Conservation Institute (GCI) Explore Videos + Lectures Harvard Art Museums, Straus Center for Conservation and Technical Studies Explore Videos + Lectures Indianapolis Museum of Art at Newfields Explore Videos + Lectures Leibniz Institute DSMZ-German Collection of Microorganisms and Cell Cultures Explore Videos + Lectures Library of Congress, Preservation Research Testing Division Explore Videos + Lectures Los Angeles County Museum of Art (LACMA) Explore Videos + Lectures Metropolitan Museum of Art Explore Videos + Lectures Museum of Fine Arts, Boston Explore Videos + Lectures Museum of Fine Arts, Houston Explore Videos + Lectures Museum of Modern Art (MoMA) Explore Videos + Lectures National Museum of Asian Art, Freer Gallery of Art and Arthur M. Sackler Gallery Explore Videos + Lectures Philadelphia Museum of Art Explore Videos + Lectures Rathgen-Forschungslabor (Rathgen Research Laboratory), Staatliche Museen zu Berlin (Berlin State Museum) Explore Videos + Lectures Smithsonian Institution (SI) Museum Conservation Institute (MCI) Explore Videos + Lectures The Art Institute of Chicago Explore Videos + Lectures The National Gallery, London, UK Explore Videos + Lectures Winterthur Museum, Garden, & Library Explore Videos + Lectures Yale University, Institute for the Preservation of Cultural Heritage Explore Videos + Lectures