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  • Isabel Schneider

    964921b2-3b25-453b-a1be-c0dec523fe38 Isabel Schneider Project Conservator Brooklyn Museum New York, NY, USA Previous Next All members MEMBER INFORMATION Isabel Schneider is a recent graduate of the UCLA/ Getty Conservation of Cultural Heritage MA program who recently accepted a project conservator position at the Brooklyn Museum. Previously, she has held conservation internships with the Brooklyn Museum, Arizona State Museum, Michael C. Carlos Museum, Florissant National Monument, and the Israel Antiquities Authority. She has participated in archaeological excavations in Greece and Israel. Previously, she has worked as an artist, teacher, curator, and museum development officer. ABM CONFERENCES ABM 2023 Graduate Student Assistant Art Bio Matters 2023 Conference Explore Full Abstract ABM 2023 Poster Presenter “Like” for Provenance Research and Conservation Treatment Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

  • Elizabeth Cleland

    af99383d-c2fa-401b-bc8d-4a630856057d Elizabeth Cleland Curator European Sculpture and Decorative Arts Metropolitan Museum of Art New York, NY, USA Previous Next All members MEMBER INFORMATION At The Met since 2004, Elizabeth Cleland is curator of post-medieval European textiles. She has authored and co-authored numerous books and articles about historic European tapestries. She curated Relative Values: The Cost of Art in the Northern Renaissance (2017), co-curating Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry (2014) and Art at the Tudor Courts (2022). She studied at the Courtauld Institute of Art, receiving her MA and PhD as a British Academy scholar. ABM CONFERENCES ABM 2021 Participant Art Bio Matters 2021 Virtual Conference Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

  • Robin Fleming

    7b20846a-225e-4035-8d1c-5025e8830534 Robin Fleming Historian Boston, MA, USA Previous Next All members MEMBER INFORMATION Robin Fleming is Professor of History at Boston College. She earned her B.A., M.A., and Ph.D. at the University of California at Santa Barbara. She writes and teaches Roman and early medieval history, migration and mobility, material culture, and historical archaeology. She is the author of Kings and Lords in Conquest Britain (Cambridge University Press, 1993), Domesday Book and the Law (Cambridge University Press, 1998), Britain after Rome (Penguin, 2010), the Material Fall of Roman Britain (University of Pennsylvania, 2021), and has a book on dogs in Roman Britain forthcoming with Oxford University Press. She is currently working on a collaborative project investigating the early medieval cemetery at Alton, in Hampshire, U.K. The project aims to reevaluate the cemetery’s dating, material culture, and human remains. She was President of the Medieval Academy of America in 2023–24. She has been awarded a Guggenheim, has been a fellow at the Institute for Advanced Study and The Radcliffe Institute, and is a MacArthur Fellow. ABM CONFERENCES ABM MEMBER EVENTS ABM Roundtable Discussion - August 2024 Roundtable Speaker Perceptions of Human Remains - Continued Following the overwhelming response to our March 27th session. We are pleased to announce an upcoming online Roundtable discussion on the topic of human remains in museums, cultural centers, and religious spaces. This session will offer an opportunity to examine the ongoing ethical and practical challenges surrounding the display, handling, storage, treatment, and scientific analysis of human remains. It will also provide a space to share diverse institutional experiences and foster thoughtful dialogue across disciplines. 
Our goal is to generate actionable insights that can support professionals navigating these responsibilities, and to encourage a respectful, informed approach to working with human remains in varied contexts. We welcome participants from across the field to join us for what promises to be a meaningful and necessary conversation. Explore PUBLICATIONS + PROJECTS

  • Adam DiBattista

    3737fd6f-ea07-4b6f-92be-4650b8725302 Adam DiBattista Hirsch Fellow American School of Classical Studies at Athens Previous Next All members MEMBER INFORMATION Adam DiBattista (PhD, UCLA) is an archaeologist researching objects made from animal materials in the Greek world, as well as the ivory trade in the Mediterranean during the Iron Age. Most recently, Adam was the Hirsch Fellow at the American School of Classical Studies at Athens. He is also in the early stages of a project using ZooMS to analyze ivory production waste from the site of ancient Methone to better understand its origin. ABM CONFERENCES ABM 2023 Participant Art Bio Matters 2023 Conference Explore Full Abstract ABM MEMBER EVENTS ABM Seminar Series - December 2022 Seminar Series Presenter Archaeological Perspectives on Worked Animal Materials in the Greek World Explore PUBLICATIONS + PROJECTS

  • Rozelle Greyling

    6ae33d3b-a39d-4728-81ab-dd57edc1e8fe Rozelle Greyling Student, University of Pretoria Pretoria, South Africa Previous Next All members MEMBER INFORMATION Rozelle Greyling holds a Bachelor of Fine Arts (2021) and recently (2024) graduated cum laude from the University of Pretoria’s MSocSci Heritage and Cultural Sciences, (Heritage Conservation) programme. This pioneering programme, the first of its kind in sub-Saharan Africa, has provided Greyling with a unique platform for her research on the conservation of fluid-preserved cadaveric collections, which include archaeological, anatomical, and pathological wet specimens. Greyling’s research aims to address the significant gaps in the knowledge of fluid preservation techniques in Africa, to contribute to the preservation and conservation of fluid-preserved collections in the fields of Medicine and Zoology. Her research aims to advance the understanding of these preservation methods and ensure the continued integrity and longevity of these invaluable collections within the broader context of heritage conservation. ABM CONFERENCES ABM MEMBER EVENTS ABM Round Table - July 2024 Round Table Presenter ABM Round Table - July 2024 Has anyone come across any existing studies or research specifically addressing lipid profiling in natural history collections, and what are the potential implications and applications of lipid profiling in these collections? Explore PUBLICATIONS + PROJECTS

  • Joanna Story

    6137e777-92a6-4870-ad40-1957627213e3 Joanna Story Professor of Early Medieval History University of Leicester Previous Next All members MEMBER INFORMATION Jo Story is currently professor of Early Medieval History at the University of Leicester. Her research is multi-disciplinary in approaches to the texts, material culture and art of early medieval Europe. Manuscripts are a key source, and analysis of membrane as biological evidence is a central feature of Jo’s current research, focusing especially on manuscripts written in ‘insular’ script between c. 600–900, and their distribution across Europe. ABM CONFERENCES ABM 2023 Steering Committee Art Bio Matters 2023 Conference Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

  • Francesca Galluzzi

    b1d7bd96-196a-4c6f-adc2-976f4258cb14 Francesca Galluzzi Postdoctoral Researcher University of Bordeaux Bordeaux, France Previous Next All members MEMBER INFORMATION Dr Francesca Galluzzi is a postdoctoral Fellow at the University of Bordeaux. Her BSc and MSc degree were in Science for Cultural Heritage analysis (University of Venice and Bologna). She earned her PhD in Chemical Science from the University of Bordeaux in 2021. The doctoral project was part of the Marie Skłodowska-Curie European Training Network TEMPERA, and it was focused on the development of new methodologies based on mass spectrometry for the analysis of proteinaceous compounds in different artistic materials. Her research interests include the characterisation of proteins collected at the trace level (following the bottom up and top-down approaches) and the investigation of chemical and structural modifications induced in proteins by processes of ageing and degradation (particularly cross-linking formations). ABM CONFERENCES ABM 2021 Poster Presenter Hydrogen deuterium exchange mass spectrometry to elucidate reticulations, interactions and conformational changes of proteins in tempera paintings Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS Francesca Galluzzi, Stéphane Chaignepain, Julie Arslanoglu, Caroline Tokarski Hydrogen deuterium exchange mass spectrometry to elucidate reticulations, interactions and conformational changes of proteins in tempera paintings Little is known about structural alterations of proteins within the polymeric films of paints. For the first time, hydrogen‑deuterium exchange mass spectrometry (HDX-MS) was implemented to explore the conformational alterations of proteins resulting from their interaction with inorganic pigments within the early stages of the paint film formation. Intact protein analysis and bottom-up electrospray-ionisation mass spectrometry strategies combined with progressively increasing deuterium incubation times were used to compare the protein structures of the model protein hen egg-white lysozyme (HEWL) extracted from newly dried non-pigmented films and newly dried films made from a freshly made mixture of HEWL with lead white pigment (2PbCO3 Pb(OH)2). The action of other pigments was also investigated, expanding the HDX study with a global approach to paint models of HEWL mixed with zinc white (ZnO), cinnabar (HgS) and red lead (Pb3O4) pigments. The results show structural modifications of HEWL induced by the interaction with the pigment metal ions during the paint formulation after drying and prior to ageing. Both the charge distribution of HEWL proteoforms, its oxidation rate and its deuterium absorption rate, were influenced by the pigment type, providing the first insights into the correlation of pigment type/metal cation to specific chemistries related to protein stability. Explore Catherine Gilbert, Vaclav Krupicka, Francesca Galluzi, Aleksandra Popowich, Stéphane Claverol, Julie Arslanoglu, Caroline Tokarski Species identification of ivory and bone museum objects using minimally invasive proteomics Ivory is a highly prized material in many cultures since it can be carved into intricate designs and have a highly polished surface. Due to its popularity, the animals from which ivory can be sourced are under threat of extinction. Identification of ivory species is not only important for CITES compliance, it can also provide information about the context in which a work was created. Here, we have developed a minimally invasive workflow to remove minimal amounts of material from precious objects and, using high-resolution mass spectrometry–based proteomics, identified the taxonomy of ivory and bone objects from The Metropolitan Museum of Art collection dating from as early as 4000 B.C. We built a proteomic database of underrepresented species based on exemplars from the American Museum of Natural History, and proposed alternative data analysis workflows for samples containing inconsistently preserved organic material. This application demonstrates extensive ivory species identification using proteomics to unlock sequence uncertainties, e.g., Leu/Ile discrimination. Explore

  • Marc Walton

    5fed5dd4-9f0c-4268-bcc7-cf9d4f17bf4d Marc Walton Co-Director of the Center for Scientific Studies in the Arts Research Professor Northwestern University Evanston, IL, USA Previous Next All members MEMBER INFORMATION Marc Walton is the co-Director of the Center for Scientific Studies in the Arts (NU-ACCESS) and Research Professor of Materials Science at Northwestern University. At NU-ACCESS, he leads multiple scientific research projects to investigate art objects in collaboration with cultural heritage institutions representing a broad spectrum of disciplines (from anthropology to contemporary art) and geographical reach (both U.S. and internationally). Professor Walton's principal area of research focuses on the trade and manufacture of objects, and on developing imaging technologies in the field of conservation science, resulting in over 100 peer-reviewed articles ABM CONFERENCES ABM 2023 Team Presenter A multimodal approach to the study of human-derived materials in contemporary artwork Co-authored with Lynn Lee, Alessandra Guarascio and Chan Oi Yan Michelle. Read the Abstract. Explore Full Abstract ABM 2021 Participant Art Bio Matters 2021 Virtual Conference Explore Full Abstract ABM 2018 Steering Committee Art Bio Matters 2018 Conference Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

  • Allison Wall

    499edffd-a7b6-409e-bea3-fefe0548e51d Allison Wall Recent Graduate, MLIS Program University of California, Los Angeles Los Angeles, CA, USA Previous Next All members MEMBER INFORMATION Allison Wall is a recent graduate of the Master of Library and Information Science (MLIS) program at the University of California, Los Angeles (UCLA). Specializing in Archival Studies, she developed a keen interest in archival preservation and preventative conservation measures for library materials. She has a background in museum education, exhibitions, and publishing and is passionate about preserving cultural heritage. ABM CONFERENCES ABM 2023 Team Presenter AI-assisted classification of microorganism strains on paper-based cultural relics Co-authored with Chenshu Liu and Chongwen Liu. Read the Abstract. Explore Full Abstract ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

  • Kat McFarlin

    f4edd1fa-b052-4470-a4d0-d93567da476b Kat McFarlin Conservator New York, NY, USA Previous Next All members MEMBER INFORMATION Katherine "Kat" McFarlin is a cultural heritage conservator at the American Museum of Natural History, primarily supporting the Musem's Human Remains Collection Care Program. They hold an Egyptology degree from the University of Chicago, and received their M.A./M.S. from SUNY Buffalo State University, focusing largely on archaeological artifacts. Their current work focuses on the interests and concerns of the descendant communities, balancing spiritual, material, and cultural considerations for the individuals in the Museum's care. Previously, Kat was a Graduate Intern at the Brooklyn Museum and an Andrew W. Mellon Conservation Fellow at the Met, where they worked primarily with West African artworks, including masquerade dance crests covered with untanned animal skin, as well as Ancient Egyptian funerary goods. ABM CONFERENCES ABM MEMBER EVENTS PUBLICATIONS + PROJECTS

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